In the silent heart of a modernist house, among pools that mirror the sky and rooms that seem to hold the echo of an absence, an impossible figure materializes: a woman emerging from water, a body returning, a spirit refusing to disappear.

The Spirit That Remains is born from a dream, or perhaps from a necessary illusion, the kind we allow ourselves when reality is no longer enough to contain grief.

At the core of these works lies the promise of emotional resistance:

the idea that love, in its most desperate form, can subvert the end.

The collaboration between noonenoise and MysterioVision constructs a visual paradox. On one side, noonenoise’s poetic rawness, trauma amplified, emotion sculpted through erotic contours, the human condition pushed to its breaking point. On the other, the almost therapeutic stillness of MysterioVision’s architectural worlds: soothing, precise, labyrinthine.

Where these two visions collide, an impossible landscape emerges:

a world in which death is not a definitive threshold, but a boundary the dream attempts to cross.

The monumental female figures, liquid, towering, suspended, embody a last attempt to give meaning to what is senseless. Their erotic presence is not provocation but a remnant of life, a declaration of will against the inertia of the lifeless body. Water becomes a matrix of rebirth: it pours, drips, coats the skin like a veil separating the real from the visionary.

These images do not seek to console;

they seek to shake, to bruise, to awaken.

And yet, against all expectations, they always find a way to offer a fragile form of calm, posthumous, perhaps, but luminous nonetheless.This collection is not an elegy.

It is an emotional heresy against endings.

A way of saying: death is not enough for us.

Not as long as an image can reanimate what we have lost.